（1）Define shame by corporality and spirituality
I'll elicit my subject from a main and lasting problem in film theories：the way to realize（make things seem real）.This film implies it by a significant metaphor:to get corporality,namely to realize,need a sense of present,as one character called Damiel claims that he chooses to stay in the present rather than to live eternally──he anticipates to get rid of nothingness from being an angel.

“柏林苍穹下”有味道的爱情片 为什么我是我？
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