第一，欲让观众为之流泪，必先让观众为之动容
我们会为什么样的人流泪？一个我们从来没有听说过的人距离我们很遥远的人死了，你会流泪吗，央视新闻经常报道领导人去世我大多无感，不是我不爱国，毕竟不认识。人都是有感情的动物不认识何谈哀伤，所以要想让观众为角色流泪你就必须让观众对角色有一个深刻的印象。《辛德勒的名单》有戏份的人物共120多位，虽然观众不一定全部记得，但记住二三十位还是不成问题的

Was Oskar a god?or a saint?I don't think so.He was only been a profiteer and womanizer at first but he was a man who still had some humanity.He just didn't want to see innocent people killed only because they were jewish.I think this is showed precisely in the movie,which accords with my feeling very well.
Except for the colorful scenes at the end,there's only a girl in red which is not black n white in the film.I don't know what it exactly means,maybe just a emphasis(I can't imagine another way to tell us it's the same girl.By the way,it's said in real history the girl survived unlike in the film,but if there were more than one girl in red in the war(it's probably right),you can't say they're definitely the same one).
S.Spielberg is a sensational storyteller and it's his masterpiece.It tells a long but seizing story that will never make you sleep.

The list is an absolute good.The list... is life.
All around its margins lies the gulf.
Whoever saves one life,saves the world entire.
给我最深印象的四个镜头，煤灰如雪，穿梭的红色小女孩，彩色色调下走来的人们以及辛德勒碑上垒起的石头
我相信，斯皮尔伯格就是为了呈现这前三个镜头而把电影拍成黑白片，可以说，他们之经典，在我心里可以排到前列。
像雪般飘落的煤灰，在内容上作用不用多说，就是纳粹焚烧犹太人。煤灰似雪，打通了温热与寒冷，正如生命，从热到冷，而后轻盈凋零。

不知道从何说起，是从之前看到前半部分觉得该剧也并不如想象的那么好，可是到最后却感动到不行，还是从戒指上的那句话说起。。。辛德勒俨然有着大资本家的风度和气魄，和德国军官凯旋挽救犹太人，在他的工人面前也永远表现出一座山似的气度，仿佛靠着他便是靠着了希望。。。可是到最后，他快离开的时候，却因当初没有多救一个人而痛苦流涕。。。。他不知道，在他救人时，那么多的被杀害者显得他救出来的人也是那么的渺小，于是多救一个人看起来并不是有什么作用的，而当所有的人存活下来，战争结束，才发现

深具史诗的格局——《辛德勒的名单》
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